The Moving Image: The Journal Of The Association Of Moving Image Archivists (Fall 2001) (Horak, Jan-Christopher, Ed.)

[as-new, nice and clean with no discernible wear]. (B&W photographs, facsimiles) In this issue: "The Evolution of American Moving Image Preservation: Defining the Preservation Landscape (1967-1977)," by Sarah Ziebell Mann; "A History of Early Nitrate Testing and Storage, 1910-1945," by Charles "Buckey" Grimm; "Digital Preservation of Moving Image Material?" by Howard Besser; "Film, History, Film Genre, and Their Discontents: The Case of the Omnibus Film," by Mark Betz; "Family in a Can: The Presentation and Preservation of Home Movies in Museums," by Snowden Becker; "Home Movies, Found Images, and 'Amateur Film' as a Witness to History: Peter Forgacs's 'Private Hungary'," by Catherine Portuges; "The Essence of Motion: Figure, Frame, and the Radical Body in Early Silent Cinema," by Alice Maurice. Shorter pieces under the "Forum" heading are: "Storage and Space: Notes on Collecting, Archiving, and Presenting Digital Moving Image Works," by Rudolf Frieling, and "Regionally Specific, Globally Significant: Who's Responsible for the Regional Record?" by Heather Norris Nicholson. There are also reviews of nine books in the field.