Embodied Experiences Of Making In Early Modern Europe Bodies Gender And Material Culture

Processes of making in early modern Europe were both tacit and embodied. Whether making pottery food or textiles the processes of manual production rested on an intersensory connection between mind body and object. This volume focuses on the body of the maker to ask how processes of making experimenting experiencing and reconstructing illuminate early modern assumptions and understandings around manual labour and material life. Answers can be gleaned through both recapturing past skills and knowledge of making and by reconstructing past bodies and bodily experiences using recreative and experimental approaches. In drawing attention to the body this collection underlines the importance of embodied knowledge and sensory experiences associated with the making practices of historically marginalised groups such as craftspeople women domestic servants and those who were colonised to confront biases in the written archive. The history of making is found not only in technological and economic innovations which drove 'progress' but also in the hands minds and creations of makers themselves. First interdisciplinary collection of essays to: • Synthesise experimental history approaches used to investigate a wide range of objects – dress cosmetics cooking and art – and their makers or wearers in the early modern period. • Demonstrate how attention to objects and making in both historical and modern experimental contexts can uncover knowledge of embodied and gendered experiences that are otherwise difficult to access. • Contributes to the recently termed ‘making’ and ‘embodied’ turns in history. |Embodied Experiences of Making in Early Modern Europe Bodies Gender and Material Culture